Chris Canas At The Wild Bull Friday, March 20

Series Opener Kev Nichols Thrilled The Crowd On March 13

by Lynn Headapohl

Kevin Nichols and Blue Tuesday opened the new Spring into the Blues Series at downtown Kalamazoo’s Wild Bull on Friday, March 13 with his usual high-energy ride through the blues. Wailing on guitar as he served up his husky,

Kev Nichols

galvanizing vocals, Kev was a driving force backed by his dynamic band of top-notch players. It was good to hear fellow guitarist Tony Riske, back with the group after an apartment fire kept him from performing at the KVBA Second Sunday series in December. Heather Kulaga’s spirited backing on bass combined with the unflagging energy of Ken Smith on drums to generate the compelling beat that brought folks out to the dance floor. Great show!! Good to see you all there!! Ladies get in FREE, which is a great deal! Can’t beat the half-priced drinks, either.

Chris Canas

This Friday, March 20, Ann Arbor’s Chris Canas Band will take the stage.  To quote the band’s bio statement:  ”the Chris Canas Blues Revolution can be seen blazing a trail in the Metro Detroit area and beyond. Front man Chris Canas, self proclaimed soldier for the blues, has put together a who’s who of veteran musicians to help keep the blues alive in the hearts of all music lovers. The C2B Revolution has a well blended set of classic covers and funky smooth originals that keep the audience jumping and the party going. The group is as diverse as they come with interesting backgrounds in music. This band is driven to pump new life into “The Blues” as well as embracing the rich traditional roots of the past. Brace yourselves for the Explosion.

So take yourself to downtown Kalamazoo this Friday night to enjoy one of our newest blues venues!  Doors open at 8:00 pm and music starts at 9:00, and yes, it’s still Ladies’

Night!

Tedeschi Trucks Band To Appear At The State Theater May 13!

When Derek Trucks and Susan Tedeschi decided to dispense with their much-loved individual bands and pool their talents, they had no way of knowing what the public reaction might be to the new hybrid. They found out quickly enough when “Revelator” – Tedeschi Trucks Band’s 2011 studio debut – excited their sizable, devoted fan bases and the movers and shakers of the music industry alike, landing TTB both a Best Blues Album Grammy and a Blues Music Award for Album of the Year. Their live followup, “Everybody’s Talkin’” – documenting what many were already regarding as one of the most superb concert acts around, not even two years into the band’s existence – continued that forward momentum and picked up a Blues Music Award for Best Rock Blues Album. Derek, Susan, and the rest of the 11-member band consistently crank out powerful live performances night after night, and this tour is sure to be no different.

And what better place to enjoy this amazing show than at the Kalamazoo State Theater, the classic entertainment venue that has gone through major renovations in sound, lighting, and physical appearance over the last year.  With standout performances by blues greats like Tab Benoit and Gregg Allman under its belt, the new, improved State Theater is continuing to mine the rich veins of classic and modern blues by bringing the Tedeschi Trucks Band to its stage on Wednesday, May 13, at 7:30 pm.  The doors will open at 6:30 pm, and reserved seating ticket prices include : Gold Circle $75, Orchestra/Mezzanine and Balcony $49, and Back of Balcony $39.50.

There will be a ticket presage  Thursday 3/19, from 11:00 am to 11:00 pm.   Visit the State Theater box office, or use the link below to order online.
http://www.ticketmaster.com/event/08004E6ECA0936F7
Password: “GROOVES”

March Is Blues Month At The Wild Bull: Spring Into The Blues Series

Spring Into The Blues!

Kev Nichols, Chris Canas, and Jim Shaneberger Bands to Appear Consecutive Fridays in March

Once again, the Wild Bull is offering local blues fans a chance to indulge themselves with some of the best of regional talent.  Each of the three bands featured in the Wild Bull’s Spring Into The Blues Series has competed at the International Blues Challenge (IBC) in Memphis, as well as appearing multiple times on local stages.  The Jim Shaneberger Band represented the KVBA at the 2015 IBC, and Kev Nichols and Chris Canas have each performed on the IBC stages more than once.  This is a great opportunity to head out on these late-winter Friday nights and warm your soul with some hot blues–you don’t want to miss it!

Mid-Winter Heat: Stan Budzynski and Martila Sanders at the KVBA Second Sunday Series

Series To Conclude Sunday, March 8, With Kathleen and the Bridge Street Band and the Marci Linn Band

by Lynn Headapohl

Ahh, February!! Month of love and winter sunshine. February 2015 gave us new challenges with arctic winds and crazy snowfall, but that didn’t stop the blues fans from coming out on a relatively bright Sunday afternoon for the Second Sunday Blues series. Fans and KVBA members filled Shakespeare’s lower level to witness a great afternoon of jazz-tinged rocking blues.

Stan Budzynski and 3rd Degree, a four-piece unit hailing from the Lansing area opened the festivities. Performing two original tunes at the onset, “Jackson County Blues” and “Crystal Ball”, the group demonstrated its bluesy rock roots with Stan making his guitar sing while laying down Texas-style Stevie Ray licks. The band’s perfectly meshed vocals shifted to Motown. The group performed “Signed Sealed and Delivered” with keyboardist Gregg Hodge on Yamaha piano and HammondXK3C banging out a crazy keyboard solo on both instruments. Bassist Bretz then sang “All the Time in the World”, while Stan beautifully crafted his signature sound, feeding the hunger for fine slide guitar work. His sensitive rendering of the Boz Scaggs love song “It All Went Down the Drain” gave way to the raucous vocals of Greg Hodge serving up a Texas/Delta version of “Looking Back at Her” in his gravelly Joe Cocker style, accompanied by his wild keyboard antics.  Ron Bretz then performed “Livin’ in the Country Blues”, an original about a city boy experiencing his first move to the country. To close the set, Stan performed Little Feat’s “Let It Roll” and took us down “that long cool stretch of highway” that brought back the days of riding around in that automobile without a care in the world.

The second set was even hotter. Transitioning with ease as drummer, Dan Mead moved easily from rock to swing to jazz, all in the blues vein, supporting the many facets of the band’s eclectic performance. Beginning with “Sweet Goddess of Love and Beer”, the band then moved from “Somebody Tell the Truth” to a stunning version of “Mardi Gras”, where Stan pitted his articulate slide work on his Parker Fly guitar against the dancing bass line laid down by Ron Bretz on his 5-stringed bass, creating a fresh rendition akin to rock in the bayou. After thrilling us with “Unchain My Heart”, the group pushed the beat to a metal blues collection, performing the music of the Johnny Winter blues standard “Life Is Hard,” that gave way to the inspired Jeff Beck song, “Because We Ended as Lovers,” written by Stevie Wonder. Here Stan’s stirring guitar played to all the passion in our hearts.  The band rounded out the show with Muddy Waters’ “Diamonds At Her Feet” before firing up the dance floor with, “Shake A Tail Feather”, ending with a lively romp through Taj Mahal’s “Cheating On You”. This surely left the crowd in a party mode!!

And the day’s festivities were only the beginning!!

 The party rolled on when Martila Sanders and Gee-Q hit the stage. The members of this group, after meeting seven years ago at an open jam, have synthesized into their current configuration with the powerful, polished vocals of Martila supported by Michael Gee’s vintage guitar sound, Bob Hunt on sax and synthophone, and Jimi Tulk on drums and vocals, all deftly anchored by the solid pocket of Mike Swartwood on 5-stringed Peavey bass. The band provided a tasteful blend behind Martila’s powerhouse vocal on “Love Sneaking Up On You”, and an original song by Michael Gee, “You Ain’t The Only One”. Here, Bob Hunt’s scorching sax solo added a tasteful spice to the incessant groove.
After rocking us with Etta James’ “Blues Is My Business”, Martila touched our hearts with a version of “Stormy Monday” that culminated with the bass and drums kicking it up to give way to the fine fretboard work of Michael Gee. This transitioned to his impressive work with the wah pedal as he sang, “Built for Comfort”. Martila countered with “Groove Me Baby” and a funky original she co-wrote with Michael, “I Just Want You!”  The crowd members found it hard to stay in their seats as the drums pumped that voodoo beat in a spirited New Orleans sketch called “Swamp Root Gumbo”.  Hunt on synthophone, a custom-built wind instrument, provided an unbroken variation of sound underlying the melodic collaboration of the other players. Jimi Tulk closed the set singing Elvin Bishop’s “Fooled Around and Fell In Love”, showing his masterful licks as he broke it down on the drums.
Opening the second set with Roberta Flack’s “Killing Me Softly”, Martila showed her sensitive side while Hunt tapped into the rich flutelike sounds of his midi wind instrument to further convey the passion of this piece. The band then embarked on a journey to Motown with “Getting Ready” that kept the steppers stepping and the shakers shaking. Then drummer Tulk demonstrated his fine vocals on Gary Moore’s “Still Got The Blues” while Gee and Hunt generated exquisitely refined solo interpretations. Gee-Q’s medley of “Shaky Ground/Fire” caused unrestrained madness on the dance floor that continued as Michael Gee took us out on “Vilify” by Galactic, a “down-home Mardi Gras” dance. Happy, sweaty faces, everywhere!

What an amazing day of blues! Thanks to all the blues fans that helped to make this show a success. If you missed it, fear not. There is one more in the second Sunday Series on Sunday March 8th at 4:00 in Shakespeare’s lower level. We would love to see you there!

 

 

 

 

 

Kathleen and Bridge Street Band, Marci Linn to Close Out Second Sunday Series on March 8

If you’ve had the good fortune to attend the previous three episodes of the Kalamazoo Valley Blues Association’s Second Sunday Series of fundraising concerts for the 2015 Kalamazoo Blues Festival, you know what a good time is to be had at Shakepeare’s Lower Level in Kalamazoo.  You know about the great music, good food and drink, companionship of other blues fans, and just plain fun, and you’re already looking forward to this Sunday’s final show, when Lansing’s Kathleen and the Bridge Street Band and Kalamazoo’s Marci Linn Band will fill a double bill with an outstanding helping of enjoyment.  And if you haven’t been to one of these great shows, now’s your chance!  Be sure to be there when the doors open at 3:00 pm, and stay for the full four hours of music.  Kathleen and the Bridge Street Band will play from 4:00 to 6:00, and Marci Linn from 6:00 to 8:00.  The door charge is only $6.00, and it all goes to help fund the upcoming 22nd Annual Kalamazoo Blues Festival!  It doesn’t get any better than this!

The Marci Linn Band

Kathleen and the Bridge Street Band

Hailing from Lansing, Bridge Street Band members Kathleen Walters (vocals), Doug Fritch (guitar), Angelo Santelli (guitar), Tim Brouhard (bass), Eric Payne (drums), and Jon Gerwitz (sax) put on a great show consisting of all things blues, soul and R&B…….from Elmore James and Etta James to Bonnie Raitt, Ray Charles and Stevie Wonder.  They’ll open the afternoon in fine style at 4:00.

The Marci Linn Band will pick it up at 6:00, with vocalist Marci Linn, guitar master Jim Beebe, bassist Greg Orr, guitarist Geoff Stockton and drummer Mike Curtis filling the room with their outstanding brand of blue-eyed soul.  A long-time presence on the Kalamazoo blues scene, the Marci Linn Band is a perennial favorite that will close out the 2014-15 KVBA Second Sunday Series in fine fashion, leaving audience members with a wealth of good memories.

Come on down to Shakespeare’s this Sunday at 3:00 for an afternoon and evening not to be forgotten!  See you there!

 

 

 

Memphis and the IBC–A Spectator’s Perspective

by Katrina Allemang

From a spectator perspective…….

The view over Memphis and the Mighty Mississippi

Ah….Memphis.  Back again.  This time was slightly different though.

We arrived on Tuesday, January 20th.  First stop…Rendezvous….second stop…Beale Street.  We strolled down Beale Street taking in the familiar sights, sounds, and smells.  Not sure what to expect from the competition or where the guys will be playing.  It was still Memphis, just the way I remembered, with the exception of the new Hard Rock Café.  The new Hard Rock Café is absolutely gorgeous.  We imagined the sound would be equally as impressive.

What was different this time?  For me it was the first time supporting a solo/duo act.  It also meant different venues to sit and enjoy the competition from.  Hunt –N– Gator played Wednesday and Thursday evenings at Club 152, 3rd floor.  In order to get to there, you had to walk through the main floor where the band competition was going on, up the nifty “party” elevator to the 3rd floor.   The feeling was much different than a typical “bar”.  The guys performed on a small stage while seated and the crowd watched from their chairs that were set up in neat rows.  Seemed more like watching a recital and less like a bar show.  Not to worry though, drinks were still enjoyed, as there was a bar on the 3rdfloor, but it was off to the side and did not impede the enjoyment of the acts.  We were able to take in other solo/duo competitors, as they performed at other smaller venues.  All in all, the solo/duo venues seemed more intimate.

Hunt & Gator on Beale Street

Unfortunately, this was the last stop for our favorite guys for the competition.

Another new for me was sharing an apartment.  We’ve decided this is the way to go when staying in Memphis.  We shared a 2 bedroom, 1 bathroom apartment with Dave Hunt and Debbie Brokus.  The price was better than a hotel and it was private.  We had a beautiful view of the bridge and Mississippi River from our bedroom.  The view from the living room was that of a cute little park with a nice fountain in the middle.  It was a gathering place for school kids who would sing a capella.  Horse drawn carriages adorned with colored lights would pass through regularly.  At night it was almost eerie because all you could see was a floating ball of light.

What else was new? I introduced Hunt and Debbie to the Memphis Zoo.  Being that it was cold for Memphis, the zoo was nearly empty.  It felt as if we were touring our own private zoo.  It is not a huge zoo but still decently sized.  We were able to see most everything in about 3 hours.  I would certainly recommend a zoo trip for anyone who goes to Memphis.  They have panda bears!

We tried some new food joints and were highly impressed.  We stopped at the Four Way for fantastic soul food.  Not fancy but oh so delicious.   This restaurant was featured on the Food Network, and its claim to fame is that it was a regular hangout for Dr. Martin Luther King.  I would not mind making it a regular hangout for myself.  Another must-go-to-again place.

Sign from the Flying Fish Cafe, near Beale St.

As fabulous as the Rendezvous was, we found someplace we liked better…..Central BBQ.  We heard about it from the Jim Shaneberger Band, and we were so glad we listened.  When you walk in, you are greeted with a huge smile.  The menu is listed on the wall next to you.  You walk up to a small counter and the cashier takes your order and you pay for your meal, take a number and sit.  You don’t have to wait long before your mouth-watering meal arrives.  The conversation after that is nothing more than a bunch of “mmmm” noises.  Central BBQ is located behind the famed Lorraine Hotel.  We were able to get our barbeque fix and see the Civil Rights Museum at the same time.

On Friday evening, Dave Allemang and I decided to take a break from the competition and take a drive down to the Crossroads.  That was an unusual experience.  The drive was a short 1 hour and 20 minutes through the delta.  We arrived in Clarksdale, Mississippi around 8PM and there was no one around.  This had us scratching our heads.  Friday night and desolate.  We found the Ground Zero Blues Club which is owned by Morgan Freeman.  Very cool vibe and food was decent.  The only thing missing was a band.  You could tell this would be the place to be when a band is on stage.  There was writing all over the walls, tables, and mismatched chairs.  It was great!!

The last new thing for us was the finals.  This was the first time we got to experience the newer format for the finals.  We were able to watch the entire finals, both solo/duo and bands.  The newer format consists of alternating between the solo/duo and band acts.  The energy was high the entire time.

Morgan Freeman’s Ground Zero in Clarksdale, MS

The highlight for Hunt –N– Gator came Saturday evening.  We had finished watching the finals and were strolling down Beale Street for the last time when the guys were approached by a lady who had nothing but praise to give them.  She was a Memphis local and had caught their act earlier in the week at Club 152.  She remembered them and recognized them on the street a few days later.  Their performance made a lasting impression….a good impression.  The guys were delighted and humbled.

The semi-finals are still elusive but a goal to continue to strive for.  I’m looking forward to visiting Memphis again.

West Michigan Blues Community Loses Two Of Its Own

Dave Thomas of the KVBA; Terry “Hoot” Gibson of Bosco-Gee

Jeff Howe, Nancy King, and Dave Thomas, founding members of the KVBA

It’s been a sad week for music lovers and fans of the blues, who have recently received the news of the passing of Dave Thomas, one of the founding members of the Kalamazoo Valley Blues Association, and Terry “Hoot” Gibson, long-time bassist for well-known blues band Bosco-Gee.

Dave, a local business owner, was one of a dedicated group of musicians and community members who came together in 1993 to create the KVBA for the express purpose of putting on a festival.  That first festival took place in the summer of 1994 and was such a huge success that it continues today, with the 22nd Annual Kalamazoo Blues Festival scheduled for July 2015.  Interviewed for an article reviewing the history of the festival shortly before the 20th Annual Kalamazoo Blues Festival in 2013, Dave said,  “It’s amazing that we did it. Kalamazoo had (and still has) so much great music and such great talent, and we wanted to bring the community together to celebrate it.  Everyone worked together, out of the love for the blues.”

Dave, who passed away on February 7, 2015, had coped with several years of  a serious health condition with bravery and humor.  He’s remembered by all of us who knew him as not only a lover of music and founding father of Kalamazoo’s blues community, but a warm, kind man who always had a smile and a good word for everyone he met.

Terry “Hoot” Gibson of Bosco-Gee

Terry Gibson, known affectionately as “Hoot”, died unexpectedly on February 9, saddening family and friends, including the members of his former band, Bosco-Gee.  Hoot, who had played bass for 6 years with the well-known group, and who was there when Bosco-Gee competed at the International Blues Challenge in Memphis in 2012, leaves behind warm memories and fond thoughts.

“This is my favorite pic of Hoot,” says fellow band member Jeff Bobrosky of the group portrait included with this article,  ”because it personifies the man. Hoot never wanted to be in the front row, that just wasn’t his style. But you’d be hard pressed to find a better friend to have your back. We made it all the way to Beale St. together and I’ll forever cherish the memories. Godspeed Terry Gibson, heaven just got a new jokesmith and their band just got a helluva lot better too. We’ll see you on the other side.”
Two great men and lovers of the blues have left the building, and we are all the poorer for it.  Godspeed indeed  to you, Dave and Hoot, and thanks for the good times.

Hoot Gibson with Bosco-Gee

Jeff Howe and Dave Thomas at the 2013 Kalamazoo Blues Festival

It’s Going To Be A Night To Remember: Tab Benoit, Samantha Fish, and Mike Zito at the State Theater, Friday, March 6

Kalamazoo’s Out Of Favor Boys To Open at 7:30 pm

Tab Benoit

As anyone who’s been around the Kalamazoo music scene in the last dozen years or so knows, Tab Benoit’s is a name to conjure with.  Born in the deepest bayous of southern Louisiana, steeped in the local Cajun culture, raised on the blues from his youth, and pulling it all together with a guitar since his teens, Tab Benoit began bringing his unique, high-intensity sound to the State Theater as part of the Budweiser/WRKR Blues Series in the early days.  He quickly became a local favorite, drawing a loyal fan base who eagerly awaited his next arrival, looking forward to the next chance to spend an evening with Tab as he poured out the intense, Cajun-flavored blues that’s become his trademark sound.

Among those early fans was Danny Ouellette, a local guitar player who was playing with Crossroads Blues Band when he first met Tab.  Crossroads was hosting the popular Thursday night blues jam at Wonderful’s Funky Basement, the legendary Kalamazoo club that closed its doors in 2007.    Danny remembers a night at Wonderful’s, “probably the second or third time I’d met Tab, when he had shared a bill at the State with EC Scott. We all sat downstairs until very late….3-3:30 am—while they told stories about each other at various festivals and events through the years.  It was a really great opportunity for the young players we were at the time to spend the time with these amazing musicians.”

Danny, who with Tony Sproul (also an alumnus of Crossroads), Joel Krauss, and Tim Brouhard went on to create the Out of Favor Boys, has a storehouse of such memories, recounting the way that he and the other band members interacted with Tab over the years and developed a solid friendship.  After Wonderful’s left the scene, to be replaced eventually by Marty Spaulding’s 411 Club (which opened Labor Day weekend, 2008, and closed Halloween weekend 2014), Tab and members of his band would head over to the 411 after the show at the State for a late-night wrap-up of jamming with local musicians, including the guys from Crossroads and the OFB.  Danny says, “I remember another night, maybe a year or two ago, when we stood outside the 411 with Tab, again until very late, talking about his hero Evel Knievel, his time doing stand-up, his time as a place kicker for the LSU football team….just total nonsense….just stories of our lives.”

Tab Benoit with Joel Krauss, Tony Sproul, Tim Brouhard, Mike Porter, and Dan Ouellette of the Out of Favor Boys at the 411 Club

As the relationship developed, it became a done deal for the Out of Favor Boys to play before Tab’s performances at the State, something they’ll be doing again this year, when Tab shares the bill on March 6 with Samantha Fish and Mike Zito.  One of Danny’s more special memories is of one of the most recent times the OFB opened the night at the State.  “Tab had finished his sound check before ours, and he handed me his guitar and asked me to play while he went out and walked around in the house.  THAT was pretty thrilling.”

It’s also become tradition for Tab to jam with the OFB after the show, and rumor has it that we can hope for that to happen this year at the Old Dog Tavern, where the OFB will be performing after their opening set at the State.  The Old Dog is a short hop from the State (one of the beauties of the Kalamazoo music scene is the proximity of so many great venues for live music), and music-lovers who aren’t ready to let the good times go will be heading on over to the Old Dog to let them roll instead!

It’s that quality of personal commitment to his music and the people he connects with, as well as the music itself, that makes Tab Benoit one of the most popular acts to perform at the State Theater.  Tab plays the music that he inherited from his roots and developed as his own, and there really is nothing like it.  He carries on the commitment to his homeland in his environmental activism, having made the preservation of the endangered delta wetlands his personal crusade, something he speaks about to his audiences as he performs.  It’s a multilayered experience to come to a Tab Benoit show, and something truly not to be missed.

AND: as if getting to hear the Out of Favor Boys and Tab Benoit on the same night weren’t enough, the State Theater is offering further incentive to come down the night of March 8 by featuring Samantha Fish, the youthful guitar sensation whose 2011 album Runaway earned her the Blues Music Award (BMA) for “Best New Artist Debut” in 2012, and Mike Zito, the multiple BMA winner and co-founder (with Devon Allman and Cyril Neville) of the blues and rock supergroup Royal Southern Brotherhood.  It’s going to be an incredible evening of some of the absolute best blues music you’re going to hear in a long, long time, so do not wait to reserve your tickets now!

Tab Benoit with the Out of Favor Boys at the 411 Club

The show starts at 7:30 pm (the tickets say 8:00, but the OFB open up at 7:30), with doors opening at 7:00.  Ticket prices range from $25 to $30, and are available through Ticketmaster and in person at the State Theater box office.  The State Theater is under new management and amazing things are happening to this beautiful venue, including renovations and upgrades to the stage and backstage area, seating accommodations, and sound and lighting system.  That’s just one more reason for you to put this unique night of blues on your entertainment calendar now.

KVBA Photographer Dennis Tuttle Has Photo Published In Living Blues Magazine

Current Issue Features Joseph “Smokey” Holman and Tweed Funk 
Dennis Tuttle, the tall man with the camera and fedora, is a familiar sight to blues fans in the Kalamazoo area and south Michigan.
Dennis, who has been documenting the live blues scene for the KVBA for many years, has been praised from many sources for his work, and now finds himself receiving attention on a national level.  An image that Dennis captured at the 21st Annual Kalamazoo Blues Festival, featuring Joseph “Smokey” Holman with band members J. D. Optekar and Nick Lang performing as Tweed Funk on July 12, 2014, appears in the most recent issue of Living Blues Magazine.

Dennis Tuttle

J. D. recently notified Dennis that his photo would be printed in the magazine, which will be appearing in bookstores and newsstands soon, as well as being available by subscription.  In addition to some nice recognition for Dennis, the publication of his photo brings national attention to Tweed Funk and to the Kalamazoo Blues Festival, which will return for its 22nd year on July 9, 10, and 11, 2015.
Congratulations, Dennis!  Nice job!

The Big Boss Gator Experience

By Lynn Headapohl

Once again, our blues fans brought an excited air to Shakespeare’s Lower Level in Kalamazoo for the second show in the Second Sunday Series, the KVBA’s fundraiser for the 2015 Blues Festival. Thank you every one of you for inspiring the bands to reciprocate that great blues feeling in the music they presented!

The opening band for the day was “The Gator Blues Band”, a tight three-piece outfit known for their open jam sessions around western Michigan. This band was fronted by vocalist and guitarist Jim Klein and supported by Tom Elliot expertly on bass and vocals. Brian Taber guided their rhythm with a crazy offbeat kick flip jazz style on drums. Unfortunately, this writer arrived toward the end of their show, but I can tell you that when I walked in, it was hot. The band was playing Jimi Hendricks, “Third Stone Form the Sun”. Then they moved to the Kenny Wayne Shepherd tune “Shame, Shame, Shame”, where guitarist Klein used his Suhr guitar to bring the song to life with a wonderful slide reverb twist.

Next, they brought up vocalist and harmonica player Joe Ferguson from Big Boss Blues to join them in a great R &B review consisting of the perfect blending of vocal harmonies on “What’s Goin’ On”, “Old Love”, and “The Way You Do the Things You Do’’. They closed with a full-out jam of “Drinkin’ Wine” that included a blistering harmonica solo from Ferguson.

Big Boss Blues then took over the stage with an explosion of sound worthy of its name with the first note. Big Boss Man Charlie Schantz commanded the most out of his beautiful Les Paul, and it did not fail him. He was flanked by Bill LaValley on his ’76 Precision bass, Eric Busch on drums, and vocalist Joe Ferguson on harp. Together, they brought us their powerful Memphis-bound IBC set, opening with “Treat Me Like a King”. Each player stretched out to show his extraordinary chops. LaValley moved deftly through the rhythmic changes as “young gun on drums” Eric Busch coasted through his jazzy, rock and blues edged chops. Then lead vocalist Joe Ferguson showcased his fine tenor R&B sound on “No Money”, transitioning to “Queen of the Midnight Bayou”, a song that had that wrenching “N’awlins” sound. On this tune, Eric’s tom work really brought out that deep bayou backbeat. The band moved through a funky little tune with plenty of vibrato and reverb before the Boss took us back in time with Fats Domino’s “Ain’t That A Shame”. Ferguson augmented our expectations of the song by making his harp sound like a saxophone. He then went on to sing Howlin’ Wolf’s “Who’s Been Talking”, playing his harp and teaming with Schantz who supplied him with fine fills that brought that smoky blues sound to life. Guitarist Schantz went on to deliver a nostalgic version of “Route 66” that truly captured the sound of the 1940’s composition first recorded by Nat King Cole.

Ferguson’s vocals shone on Robert Cray’s “Backdoor Slam”. Schantz’s Crybaby provided Wah pedal deluxe as the unit worked together, cookin’ the blues to a hot steamy boil with a perfect throb. They closed the set with “Take Me To Memphis”, a southern Blues with an “Ico Ico” beat wrapped into a funky bluesy romp.

One set and the crowd couldn’t help but see that guitarist Schantz was a master of the slide, wah, picking…you name it. He will make you a believer. Each player in the band makes the listener pay attention to his individual talents in their own right. They seemed to say, “Let me share my joy with you!”

Schantz picked up his hollow body Gibson to begin the second set with Joe Ferguson singing a whole new funky registration of “Some Kind Of Wonderful”. Schantz then got his “Mojo Working” as slide guitar and harmonica danced to the simplicity of LaValley working the rhythms with drummer Eric Busch, who provided this band with a rich texture as they moved as a unit. The group played a Tyrone Davis tune before performing an original called “Wealthy Street”.  Next, they served up Willie Dixon’s “Seventh Son” and “No More Maggie”, a rollicking tune in which all the players had a little fun.

To close the show, the band was joined by Bobby Wilson who brought his Gibson 335 hollow body to treat the crowd.  The two guitarists worked out at length, trading slide riffs back and forth with the harp as the bass and drums rocked out a full version of “Statesboro Blues”, and then closed with “Roadhouse Blues”. All delivered a truly spectacular performance to bring another Sunday afternoon of smokin’ hot blues to an end.

And what an afternoon of blues it was!!

To find out more about the Big Boss Blues, go to Facebook:

https://www.facebook.com/pages/BIG-BOSS-BLUES/233678573411454

To find out more about the Gator Blues,  go to Facebook:

https://www.facebook.com/Gatorrhythmandblues

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